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Eddie Dunford (Andrew Garfield), is a journalist returning from London to live and work in his family town (a metropolis in West Yorkshire). His return coincides with disappearance of local schoolgirl (the third such wane in five annuals). The mutilated body of the schoolgirl is base presently behind. Working as a offense journalist for the Yorkshire Post, Dunford quests for the fact after the murder. Beginning as an ambitious juvenile reporter looking to make his name, he becomes ever more obsessive in his seek to ascertain the truth.
The sprawling narrative is quite loosely based around the disgrace surrounding the dishonored attribute developer John Poulson [link widoczny dla zalogowanych], and is more closely based around the infamous miscarriage of righteousness suffered by Stefan Kizsko and the hunt for the Yorkshire Ripper.
1974 is shot on Super16, 1980 is shot above 35mm [link widoczny dla zalogowanych], and 1983 is shot on top-end digital movie. The 3 films use light versus darkness as a running theme, producing some thespian lighting contrast. The films therefore provide for a useful approximation between the highest quality picture sources available today. 1980 covers all bases by including 16mm newsreel and even a short montage of images shot on impressionistic-looking Super8 reversal film-stock.
A fourth schoolgirl has gone missing. Investigating the disappearance are a police officer who was comprised in the investigation into the murder of the schoolgirl from 1974, Maurice Jobson (David Morissey) and a solicitor named John Piggott (Mark Addy). Jobson is wracked by crime for his involvement in past episodes of police corruption. Piggott is conducting an plea on behalf of the male wrongly convicted of murdering entire three of the young girls who formerly evaporated. The two men reflect on memorabilia from 1974, and Jobson seeks the assist of a media as chapter of the police investigation. Eventually the truth is revealed and the sun crashes through the gloom.
The scenario for 1983
The scenario for 1980
1974 is the most visually striking: this is partly due to the truth that Britain did look markedly alter in the early 1970s from the access it looks today, and is also due to the use of the Super16 format. This film truly reveals the strengths of Super16, a format able of creating images which can be rich in contrast or hazily light-saturated, neat or grainy, intimate or epic. The mood builds
A montage of real newspaper footage introduces a tale based quite closely approximately the hound for one of Britains most flagrant serial killers, understood for the Yorkshire Ripper. Peter Hunter (Paddy Considine), a senior police officer, is appointed apt behaviour a review into the handling of the inquiry by West Yorkshire Police. Coming from different police compel, Hunter had conducted a before analysis into the conduct of officers from West Yorkshire Police. It is this before investigation which obliquely links this tale with accidents from the earlier movie.
The Production Style
The scenario for 1974
Perhaps one serious point the narrative tries to make is that corruption is insidious [link widoczny dla zalogowanych], finally paralysing an organisation (in this circumstance the West Yorkshire Police Force) and affecting every appearance of its action.
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Red Riding 1980 and 1983
18 1/2 Philadelphia Film Festival - Sunday
ITV3 Crime Thriller Awards 2009
The Themes covered by the Drama
The three films take their titles from the years in which they are set, is 1974, 1980 and 1983, and take their inspiration from some of the darker incidents in the recent history of the North of England.